Scale & sightlines
Consider where the work is first seen from, how closely people pass it and what other elements are present in the room.
ART FOR PUBLIC SPACES
Art for places shared by many.
In a public or shared environment, art is encountered by people with different backgrounds, pace and expectations. An abstract work can create a clear presence without demanding a single interpretation.
ART FOR THE SPACE
One place, many perspectives.
Entrances, waiting areas, schools and other shared spaces raise different questions than a private home. A work may need to function from a greater distance, relate to the architecture and be experienced by many people throughout the day. It is therefore useful to start with the place’s dimensions, use, light and movement. Any technical, safety or installation requirements need to be handled by the project’s responsible parties alongside the artistic planning.
PLANNING
Three things to start with
Atmosphere without literal imagery
Abstract art can add colour, energy or calm without directing the viewer towards one specific motif.
Project framework
Include budget range, approximate format, timeline and any practical requirements in the first enquiry if possible.
WHOLE & EXPRESSION
Art that meets people in different ways.
A work in a shared environment does not have to be neutral to work broadly. Susanne’s painting is based on colour, form, layers and intuition and leaves room for the viewer’s own associations. For a public commission, it is important to distinguish the artistic direction from the project’s practical requirements. An enquiry can begin with the environment and desired expression, after which scope and conditions can be discussed.
FREQUENTLY ASKED QUESTIONS
Frequently asked questions
Start with the environment, dimensions and the atmosphere the art should contribute.
Do you consider public commissions?
Send an enquiry with the project conditions so Susanne can assess whether the setup is suitable.
Can a work respond to the architecture?
Format, colour direction and atmosphere can be discussed in relation to the place while the finished work retains Susanne’s own expression.
What should we send first?
Photos or drawings of the site, approximate dimensions, desired timeline and a short description of the environment are a good start.
COMMISSIONS
Are you planning art for a shared environment?
Describe the place, the project framework and the atmosphere you would like to create.
Direct payment to the seller